Thank You to my Patrons!

Thursday, September 12, 2013

Culture Share: Northern Ireland - Ach sure the craic's great!

 This post is part of The Writer's International Culture Share, in which writers discuss their personal experience with world cultures: Karen Rees discusses Northern Ireland.

Ach sure the craic’s great!

According to Dorothy from Wizard of Oz ‘There’s no place like home’ and I have to say, I couldn’t agree with her more! Unfortunately though, over the years my beautiful little homeland of Northern Ireland has probably received more bad press than anywhere in Western Europe. For those eager enough to brave the harsh media reports they find themselves  pleasantly surprised and unexpectedly in love with a such a little country that most certainly has been the centre of controversy, bearing scars of a turbulent political past that can still make many a traveller feel wary about what to expect. However, for those of you who aren’t familiar with this charming little land here’s a snippet of what to expect…

Food: If you’re a lover of tiny little portions neatly sculpted in the centre of a vast plate you may be a tad disappointed with our traditional cuisine. We are a nation of potato & bread lovers. Hearty bowls of steaming hot Irish stew, thick fresh farls of soda and potato bread (generally found centre stage in an Ulster fry - accompanied with sausages, bacon, fried egg, mushrooms, tomato) A huge plate of champ which is merely mashed & creamed potato mixed with spring onions (or scallions, as locally referred to) with a little well of butter in the middle of the potato mound is absolutely scrumptious and often ate a delicious traditional Sunday dinner. A generous slice of wheaten bread, smothered in butter & jam with a mug of tea is another delicacy not to be sniffed at – my mouth waters at the thought! Oh, and of course Tayto crisps – the legendary cheese & onion potato crisps that are indigenous to northern Ireland. It’s not unusual for boxes to be shipped far & wide to aid loved ones living abroad and craving the taste of home. You can even visit the Tayto factory in Tandragee where you’re most welcome to sample their range of flavours & meet Mr Tayto himself!


A bowl of tasty champ

There really is so much to do and see. For those who love to explore, one of the most spectacular trips is that of the North Coast. A beautiful coastal drive with impressive views of dramatic sea battered cliffs and quaint little fishing towns. You quickly become surrounded by countless shades of green within the lush natural landscape, confirming the truth in that old Johnny Cash song ’40 Shades of Green’. Any thirsty explorers will be happy to know there’s a multitude of cosy little traditional pubs dotted along the way – all of which will only be too happy to help quench your thirst with a pint of the black stuff, otherwise known as Guinness. Alternatively, if there’s a chill to the air, a measure of the famous Bushmills Irish whiskey won’t be too long in warming you up.


A welcoming traditional Irish pub

A sight not to be missed is the Carrick-a-Rede rope bridge which connects the mainland to the tiny island of Carrick-a-Rede, proudly situated in an area of special scientific interest for the unique geology, flora & fauna surrounding it. It’s a hearty dander but well worth a hike – the view alone is honey for the soul! Only a few more miles up the road is the impressive volcanic rock features known as the Giants Causeway, a natural wonder perched on the tip of the north coast attracting thousands of visitors each year. Recently the visitor centre has undergone a substantial renovation and now boasts a state of the art interactive experience on the formation of these incredible rock features - not to mention an insight to the legend of Finn McCool, a mythical giant supposedly responsible for it all during battle with Scottish giant Benandonner!
Alternatively you can travel south & take in the breathtaking scenery of the Mountains of Mourne; a small but highly impressive little mountain range situated on the shores of the county down coastline. If visiting be sure to stop by Silent Valley reservoir, the eerily quiet valley sits nestled amongst the Mournes and is always an impressive experience - perfect for those seeking a few hours of solitude. If you fancy a wood-land wander, check out Tollymore Forest Park. Take a trail through the vast tree covered expanse near the foot of the mountains, to explore the wilderness and wildlife of this outstanding area - check out Foley’s Bridge along the way, a hidden gem!



Foley’s Bridge, Tollymore

If you’d prefer something a little more unique (and somewhat challenging) check out the Marble Arch caves located in the Cladagh glen, set within the beautiful lake district of Fermanagh. Host to what is considered as ‘Europe’s finest show cave’ you can take a boat trip through the deep limestone caverns, spectacularly lit to showcase the ancient stalactites that hang majestically from its ceiling. Quick note – not recommended for high heel wearers nor tourists assuming it’s a glamorous cocktail style boat cruise (unlike two young ladies that were bitterly shocked at their own expectations in our tour group!)
Should you crave a bit of city life, Belfast is the place to be. As our little nations capital there is a multitude of things to do & see and with a huge boost in investment it’s now host to a wealth of fantastic attractions malls, hotels, restaurants, theatres, concert venues, pubs, clubs & visitor attractions. Buses tours run daily around the many major sights of this welcoming city which you will find is steeped in history. No place will tell the story of our engineering history better than that of the Titanic Belfast exhibition, step back in time to experience life from the hard toiling ship builders to first class passengers of this infamous liner that made sombre headlines worldwide.


Belfast Skyline

As for us locals, you’ll quickly come to find that we’re a highly welcoming bunch. My hubby happens to be Welsh and has not just travelled but lived all over the globe. With great truth he admits wholeheartedly that the northern Irish are certainly the most hearty and friendly folk he has encountered. I must admit that no matter where I have travelled, coming home has never been a disappointment - even after a week of relaxing on some far flung beach, the grey skies of home have been overruled by the feeling of such receptive warmth.
Our everyday lingo however can be little confusing, particularly for those who aren’t quite accustomed to the bizarre and somewhat comical sayings that can appear a tad nonsensical to those observing a conversation between locals. A few examples of such whimsical words are…

Away on with ya = I don’t believe you.
Bout ye? = How are you?
Banter = good fun
Catch yourself on = wise up
Craic = fun/goodtime
Dead on = Good/alright
Eejit = idiot
Grand = good
Hoop = bum/bottom
Keep dick = keep a look out
Lamps = eyes
Norn Iron = Northern Ireland
Oul doll = old woman
Oul lad = old man
Peelers = police
Poke = ice cream
Scundered = embarrassed
Wee = small
Yarn = chat

Hence a conversation using an example of the above expressions may translate to:

 “What about ye? You’re not grand? Ach, away on with ya.  Aye, it was good craic last night, did you see that eejit land on his hoop? I was scundered for him. The peelers were round looking for the oul lad, but some oul doll from across the road said ‘catch yourself on, he’s at the pub every Friday night. I’ll keep dick for him’. Anyway, great wee yarn, I’m away to get myself a poke from the poke-man.”

I’m sure you can grasp at why many (whom aren’t accustomed to our ‘wee’ sayings) could be ultimately left scratching their head in wonderment as to what exactly was communicated or even if indeed any of it was English to begin with. For the rest of us however – it makes perfect sense.

My advice to anyone considering a trip with a difference would be to book a visit to good oul Norn Iron. Regardless of media hype and the hostility of minorities we really are a friendly bunch of good honest folk who will most certainly show you how to enjoy yourself. I’m personally bursting with pride at my beautiful little country and am delighted to be back residing in it. There’s so much to see, do, experience, touch, taste and wholeheartedly enjoy – all within a relatively short distance. So dust off your passport and prepare for some banter… you’ll not be disappointed!

Karen Rees lives in Northern Ireland.
"My home is just a stones throw outside the quaint little boating town of Portaferry, set within the Ards peninsula, Co. Down.  I live with my husband Steve, our 7 year old daughter Emma, Toby the beagle & four cats Peppa/Peanut/Gomez & Hector. Yes there are more animals than humans!
"Originally born in Belfast, my parents moved to the peninsula when I was seven years old. I've been blessed to live in this beautiful part of Northern Ireland for a large portion of my life, so I consider myself a born city girl with a beating country heart. There's no better feeling than getting up in the morning and eating my cornflakes overlooking emerald green fields, sunshine sparkling on gentle waves of the bright blue Irish sea and bonny Scotland in the not too distant backdrop. It's a sleepy little peninsula, with plenty of working antique tractors (and owners) - it's the kind of place where a traffic jam consists of 2 cars and 22 cows, where neighbours grow their own veg and sell it in the local store. Its steeped in history and the people are always so friendly. It may not be everyone's cup of tea but I love it and I think you would too! Thanks for reading :)"

Tuesday, September 10, 2013

TTYU Retro: Personal interactions reveal character

I was trying to "restart" a character of mine some time ago, because critique partners had told me he didn't come across as having a very strong personality. This character is a particular challenge because he's got a degree of "strong, silent type" about him. One would be tempted to put him first into a situation where he really wasn't interacting with other people, just because he's so comfortable not saying anything. I've read enough Facebook memes about introverts lately that I'm sure I'll have readers who think I shouldn't put him through it.

But I'll still argue that putting this character into personal interaction is the best way to introduce him.

I'm in deep point of view here, and so my readers get to share his internalizations. Thus, if someone is interacting with him and he doesn't feel comfortable with it, they'll know, because his discomfort will be evident. The other thing I find I can do is put him in interaction with someone he does feel comfortable with, and show how he doesn't always make use of an opportunity to comment. How he judges the interaction styles of other people. And what kind of thing would be so unusual that it would actually move him to speak to a group (he gets rather upset about the behavior of some younger students).

My other character is less quiet and hangs around with three of his friends constantly. I chose to start him in a moment of reflection, to give a bit of his mood and backstory, but thereafter I put him straight into interactions with his three friends, to show what their social roles are, and their styles of interaction.

Which is to say that if you're introducing a character, try to put them into interaction with other people when possible. If you've got a wanderer who never sees a living soul, that's a bit different - but chances are the story will still bring that person out of their comfort zone and into interaction with other human beings. Show us those interactions. It will show us so much about your character.

Monday, September 9, 2013

"What does the fox say?" Onomatopoeia, and Alien Languages

How many of you have seen this video by now?


Yes, it's goofy. Yes, my kids love it - I love it, too!

I've heard quite a number of people exclaim that it's pointless because of course foxes have sounds they make, and this misrepresents them as not having sounds of their own. Just for a second, let's set aside the fact that the video is intended to be humorous, and let's talk about the underlying question.

When I first listened to it, I immediately thought about onomatopoeia. This is of course what the whole opening of the song is about: "Dog goes woof, cat goes meow, bird goes tweet and mouse goes squeak..." If you think about it, these onomatopoetic animal sounds are some of the earliest things we learn as kids. It's no coincidence that the song's video features a grandfather sitting with his grandson and a giant book! But you don't find fox onomatopoeia in this context. Foxes tend to do one of two things: either they are silent, or they speak like humans do. It's certainly a testament to the fox's slyness that it's attributed with human speech, which fits quite well with its trickster qualities (and of course there are many myths that have the fox transforming itself into human shape, too).

Today I also read this article at Wired magazine, which says, interestingly enough, that there is some similarity between the song's proposed fox sounds and the actual sounds of foxes. It even gives you the recorded fox sounds for the comparison...and I see their point. It's very similar to what I did when I was writing "At Cross Purposes" for Analog, and I wanted to design a language for aliens who resembled otters. I went online and found recorded sounds of otters, then tried to render that in human phonemes that could be written with the Roman alphabet. It wasn't entirely straightforward! However, it did give the language a great feel that really fit with the other aspects of these aliens.

The other question of onomatopoeia for writers, of course, is whether to use it when we write. Well, don't worry - you are already using it! Not all onomatopoeia is as obvious as bow-wow or meow. The words "knock," "screech" and "splash" are all onomatopoetic but don't stick out really obviously from the flow of English text. The question of whether you should say "Bang!" instead of remarking that your character heard a shot ring out is a good one, however. As usual, the answer is, "if it works." Some prose styles require a kind of flow and fluidity that wouldn't fit well with a sudden break filled with an onomatopoetic flourish. On the other hand, deep POV often cleaves very closely to the perceptions of a protagonist as they happen, which means that including onomatopoeia for sounds that interrupt that character's concentration or catch their attention can work far better. They really amount to an example of "showing, not telling" in that case.

It's something to think about. And in the meantime, I hope you enjoy the song!

Friday, September 6, 2013

Video: Handling Language Barriers in Worldbuilding

Here is the video of yesterday's hangout about Language Barriers. I had a great discussion with Brian Dolton, Glenda Pfeiffer, Jaleh Dragich, and Lykara Ryder. I hope you enjoy it.



I'll be posting the report on the Schools and Education hangout in the next couple of days. Thanks for your patience!




#SFWApro

The Writer's International Culture Share

The Writer's International Culture share is a place on the web where writers from all over the world - including the US - can share folklore, local culture, religious stories and details of daily life that would be difficult or nearly impossible to discover through ordinary web research avenues. We now have more than thirty articles listed in three categories: Cultural Practices, Folklore, and Religion. The Cultural Practices list includes all articles, but those addressing the other categories are cross-listed (some combine all three!). You can use the index below, or (as we grow) use the search bar with the category and country you are looking for.

With your help, our collection can become bigger and better! I am especially interested in culturally diversifying my collection. If you are interested in contributing, please send email to info at juliettewade dot com for more information.

Index: (*F = also appears in Folklore, *R = also appears in Religion )


Cultural Practices
  1. Australia: Through the Looking Glass by Juliette Wade
  2. Brazil: Write About Your City (A Challenge) by Fábio Fernandes
  3. Bulgaria: May 6th, Saint George, Martyr and Dragon Slayer by Harry Markov *F, *R
  4. Bulgaria: Personification of Spring in Bulgarian Culture by Harry Markov *F
  5. Bulgaria: Saint Haralampi, patron of Plague and Beekeepers by Harry Markov *R
  6. Canada: Time as a measurement of distance in Canada by Heidi C. Vlach
  7. England: The Routemaster by London Monsters
  8. France: Pierrade, fondue and raclette: French convivial meals by Aliette de Bodard
  9. France: Standing stones, and the eve of the Assumption on L'ĂŽle aux Moines by Juliette Wade
  10. Greece: Food and Drink Customs in Greece by Dario Ciriello
  11. International: The United World College of the Atlantic by Emily Mah Tippetts
  12. Ireland: An Ear for Language - They speak English here. Don't they? by Joshua Ramey-Renk *F
  13. Iran: Iranian New Year by Jahan and Tahereh Alizadeh *R
  14. Japan: A Banquet by any other name - and Cormorants! by Juliette Wade
  15. Japan: Bathing in Japan by Juliette Wade
  16. Japan: The Tokyo Subways by Juliette Wade
  17. Japan: Unexpected differences: Japanese Taxis by Juliette Wade
  18. Latvia: Living at the Crossroads by Jelena M *R
  19. Middle East: A Glimpse into an Uncommon Childhood by Margaret McGaffey Fisk
  20. Netherlands: Bicycles in the Netherlands by Corinne Duyvis
  21. Paraguay: The Mennonites of Paraguay by M.G. Edwards *R
  22. Philippines: Engagement and Wedding feasts in Ifugao by Rochita Loenen-Ruiz
  23. Philippines: Gates and Exterior Walls by Charles Tan
  24. Scandinavia: Travelers in Scandinavia, and no, I don't mean backpackers by Therese Lindberg
  25. Serbia: Slava, the Celebration of the Family Saint by Alma Alexander *R
  26. Singapore: Qing Ming and Seventh Month - no, they are not Halloween by Joyce Chng *F, *R
  27. Tanzania: A Scandinavian visits the Masai by Therese Lindberg
  28. USA: Growing Up Baha'i in the American Midwest by Jaleh Dragich *R
  29. USA - California: Eastern Friends on Western Shores by Lillian Csernica *F
  30. USA - Florida: Orlando: What's it Like Living in a Mickey Mouse Town? by Ann Meier
  31. USA - Nevada: The Reno You Didn't See by Colin Fisk 
  32. USA - New York: A Walk to the Subway in Brooklyn, NY, USA by Nicole Lisa
  33. USA - The US through UK Eyes: What's in a name? And Other Language Differences by Laura Pepper Wu 
  34. USA - Wyoming: Wyoming, the Square State by Tamara Linse
  35. Wales - What's it like living in the South Wales Valleys? by Juliette B. Edwards *F

Folklore
  1. Bulgaria: May 6th, Saint George, Martyr and Dragon Slayer by Harry Markov
  2. Bulgaria: Personification of Spring in Bulgarian Culture by Harry Markov
  3. France: Standing stones, and the eve of the Assumption on L'ĂŽle aux Moines by Juliette Wade 
  4. Ireland: An Ear for Language - They speak English here. Don't they? by Joshua Ramey-Renk
  5. Singapore: Qing Ming and Seventh Month - no, they are not Halloween by Joyce Chng
  6. USA - California: Eastern Friends on Western Shores by Lillian Csernica
  7. Wales - What's it like living in the South Wales Valleys? by Juliette B. Edwards 
Religion
  1. Bulgaria: May 6th, Saint George, Martyr and Dragon Slayer by Harry Markov
  2. Bulgaria: Saint Haralampi, patron of Plague and Beekeepers by Harry Markov
  3. France: Standing stones, and the eve of the Assumption on L'ĂŽle aux Moines by Juliette Wade 
  4. Iran: Iranian New Year by Jahan and Tahereh Alizadeh
  5. Latvia: Living at the Crossroads by Jelena M
  6. Paraguay: The Mennonites of Paraguay by M.G. Edwards  
  7. Philippines: Engagement and Wedding feasts in Ifugao by Rochita Loenen-Ruiz 
  8. Serbia: Slava, the Celebration of the Family Saint by Alma Alexander
  9. Singapore: Qing Ming and Seventh Month - no, they are not Halloween by Joyce Chng
  10. USA: Growing Up Baha'i in the American Midwest by Jaleh Dragich





Our awesome logo is by Janice Hardy!
#SFWApro

Tuesday, September 3, 2013

TTYU Retro: Critique vs. artistic vision - how far should we respond to reader reactions?

I have sometimes had discussions with friends of mine about responding to critique where I am reminded that they and I disagree rather strongly about the extent to which one should be willing to change one's writing in response to critique. The question has a lot to do with what I call "writer's compass," in other words, how a writer senses the direction to go with a particular work. How much of what we do is an indispensable part of artistic vision, and how much is open to change at the suggestion of others?

I think the answer will be different for each person, but I wanted to look at where the borderline lies, because it's a tricky question, and a potential pitfall as well.

You've written a story. Let's say you love it, the language you've used and the message it's sending. Then someone else reads it. They tell you...

a. They love it. They think you shouldn't change a word. 
This is heartening, and makes us feel good. But if someone tells you not to change a word, then chances are they are not noticing any possible problems. Every work of verbal art can and will be interpreted in different ways by different readers, so very likely a different reader would catch something to point out.

b. They "get it," but they have issues. 
I don't know about everyone, but I am most likely to take advice when it comes from someone who obviously understands what I'm trying to do. A person who "gets it" is the one who can sense the vision of what I'm trying to achieve - and their vision matches pretty well with mine. In this case I'm going to be very careful before I reject anything they say, because they and I are working toward the same goal.

c. They have issues. 
If you don't get a sense that the person sees what you see as the end goal of this writing endeavor, then you have to go through point by point and ask whether the things they point out, or the things they suggest, match with your vision. Will their suggestion get you closer to the ideal version of the story that you imagined? If so, then make a change. If not, don't.

d. They "don't quite get it."
Be careful with this one. If you really have a sense that your reader's comments aren't making sense, try to figure out if the reader had a vision that really differs seriously from yours. Maybe they imagined a premise that was very different from what you had in mind - then you'll find their comments are serving that premise, and working against what you were doing. Unless you find that different premise really compelling, you shouldn't take this kind of advice. Maybe they disagreed with some of your decisions, either thematically, or in the plot, etc. It's a perfectly good idea to question your own major decisions about the story. There may be a better path. But if you play around with the new direction and it's not working for you, don't go there.

e. They hate it/seriously don't get it.
This is an interesting one. There's a difference between a reader who says they don't like the story without giving reasons why, and one who starts dismantling you point by point. People can reject stories for very simple reasons, often having to do with a point of disagreement with the premise. You see this a lot in reviews of science fiction - if the reviewer can't wrap his or her brain around the idea of people dealing with aliens on a different planet, then they might have hard time saying constructive things about how the premise has been executed.

If they dismantle you on one thing after another, so that you find yourself thinking, "Were they even reading the same story I was?" then something else might be going on. I call it "falling out" of the story, and it basically means that they missed something really important, and/or stopped caring. Do not ever ignore this. If a person has fallen out of your story, you should be taking inline comments with a serious grain of salt (I've had people tell me that my writing style is unreadable. I have ample evidence to suggest that it's not). On the other hand, you must ask yourself why, and where, the person fell out. It might be at the very beginning. I think about it this way: if someone cares about the story, then all the complexities of the Varin world will seem to have purpose; if that reader doesn't care about the story, then the complexities will feel like shackles at every turn. Everything you've worked so hard to achieve can work against you if your reader "falls out." So gulp down the sense of insult, ignore the details of the reaction, and figure out where they fell out. It will make an enormous difference for the story's success.

f. They had struggle points.
Struggle points are places where something causes the reader to get kicked out of the story. Maybe, grammatical errors or anachronisms. Maybe, a word that seems to come from a really mismatched context (like a Harry Potter term showing up in Dune, for example). Or they can be things like my own experience with people who told me, "Every time I see the word Tagret I read it 'target' and it takes me three or so readings to interpret it correctly." I'll go with the name situation because it's one of the most difficult. My character has been named Tagret for so long that I really had a hard time imagining he could be anything else (thus my previous post on changing  names). However, more than one person had brought my attention to this as a struggle point, and the final argument for me is that if a person is being kicked out of my story, it doesn't matter how close that name is to my heart - my readers have stopped reading. If your readers stop reading, you've lost them. And you've lost a potential sale if you run into an editor who gets kicked out by the same thing. So you have to ask yourself some serious questions about what kind of compromise will still serve the vision you had in mind, and still keep people from getting kicked out of the story. In my case, I found after quite a few interesting-yet-all-wrong options that I could change the name Tagret to Tagaret, keep the pronunciation precisely the same (similar to Margaret), and avoid the confusion. Sure, it does mean that some readers will accidentally call him Ta-GAR-et. Do I mind that? Not really. That' s just one of the hazards of having a story "out there."

Every writer is going to have a different degree of faith and commitment to different aspects of a story. Names are some of the hardest things to change. It's always a balance. Every piece of feedback has to be measured against what we're trying to achieve, but at least for me, I realize that what I'm trying to achieve is not necessarily what is on the page right now. What I'm trying to achieve is a story that will work toward a certain set of thematic and other story goals... and also, a story that will engage readers and keep them all the way through.

It's something to think about.





#SFWApro

Sunday, September 1, 2013

September's Worldbuilding Hangout Topics!

Well, it's September already, which means it's time for me to announce my hangout topics for this month! Just to remind you, we meet on Google+ on Thursdays at 11am PDT. Contact me in the comments if you aren't sure whether you are in my invited circle of interested people!

Here are the topics:

September 5: SPECIAL TIME - 9:00 am PDT
Handling Language Barriers

September 12:
Mythology

September 19:
Personal Faith and its role in character and story

September 26:
Architecture



#SFWApro